Author: Michael Angelo

  • The Hours

    The Hours

    Today the weather is calm;
    it is a gelatinous film
    layered over cars and beggars.

    Leaves are falling, slowly,
    as though autumn were
    mere suggestion.

    They need not heed
    a season because season
    is just a word;
    a simple measure of change,
    and we
    need not follow.

    Change is thoughtless,
    and colors shift
    without direction or pleading.

    We’re all a little ruddier
    than we were yesterday.
    Tomorrow,
    we’ll be a little more.
    After,
    the trees in white snow
    will be naked.

    Ice on bare flesh,
    numbed fingers and toes;
    remember
    we’ve been here before,
    within mist and cold,
    within particles of light
    on a snowflake.

    We dance and fall, slowly,
    as though life were
    mere suggestion.

    We need not heed—
    life is just a word.

  • The Amber

    The Amber

    It

    is captured in the yellow leaves of a tree becoming.

    It
    is within

    life’s infinite unfolding,
    shifting, and morphing
    steams and food carts,
    car crashes and bomb blasts.

    It
    shines

    in pretty girls and hopeful boys,
    on beetle shells and satellites;
    the leaves are overflowing

    with It.

    They are melting into stellar amber beads
    of seconds
    glimmering with the promise of our golden hours.

  • Right Now

    Right Now

    All you really have is this moment.

    The great and terrible tomorrows
    are phantoms.

    This here is truth, this poem,
    and your eyes scanning.

    Behind the mountains, within the clouds,
    between the alleys, beneath the clothes,
    there is nothing.

    Nothing is the only thing promised.

    If you love,
    love scorchingly.
    If you hate,
    hate like ice.

    It is better to feel
    the sting with achingly alive fingers.

    The realest thing is this poem
    and you,
    miracles of the senses.

  • Post Apoc

    Post Apoc

    Through the storefront window,
    laden in dust and dead shadows,
    rests the remains of what was once
    a hub of human civilization;
    not of the orderly sort,
    no flowery memories of better times—
    the hood knew no green gardens—
    just beer cans, cigarettes, and rust.

    But even those days,
    before grime became grimier
    and God closed his eyes and ears
    to all the tears and prayers,
    before my uncle—long dead—came back to life
    without eyeballs, nose, or even skin,
    before the bombs were dropped
    and dogs preferred dogfood over human flesh,
    the days where dudes picked fights with you just because,
    and girls preferred money over flowers,
    a time when one had to have a knife whenever outside,
    not because they would need it,
    but because the potential for trouble was always there—
    now, it’s needed needed—
    even those days, garbage-littering-every-corner-days, were better than this.

    Creeping through the old building,
    looking more mausoleum than bodega,
    a can of old SpaghettiOs rattles against my beat-up Nikes,
    clinking clangs climbing and clinging corner to corner,
    echoing, telling whoever, whatever, that some idiot is in the building,
    a fool who thinks he could find
    something lost to him long ago;
    however, no alarm rises
    and the fool continues his fool’s errand,
    swatting away milky cobwebs
    so thick and grey that one needs more than a few swings
    to be able to tell wall from empty air.

    Behind the counter, where a register—now an extinct species—
    left deep imprints in the wood,
    brown gum wrappers swarm,
    gathering in a static mess and
    coated in mold,
    growing blue and bold.

    My father’s ghost lingers here,
    this store being a part of him
    since before my first breath
    and before I cried and screamed
    for food, for love, for comfort—
    none of which he provided much of—
    but still, here I am
    looking for a memory
    that was never alive:
    the photo of a dead man,
    in his arms a dead child
    who still roams these crooked streets,
    where the undead seem more alive
    than the residents.