Author: Michael Angelo

  • The Myth of Falling

    The Myth of Falling

    I fell, but then I was standing. How many falls have you taken? Really, how many? And you’re still here? Upright and alive? Notice that when a tree collapses it actually rises, it becomes a towering castle for chipmunks, a mountain peak for fungi, a floating planet for ants, and a universe for poets searching to transcend the gravity of their lives. Falling is a change of form, but not substance.

  • A Bad Day

    A Bad Day

    It can be a bad day,
    a really terrible nasty day,
    the kind of day where the sky is a blue bruise
    and the air is a raking of nails…

    It can be a bad day,
    a truly unbearable day,
    where gravity bulges into obesity
    and shoulders slump and drag against ground…

    It can be a bad day, but
    all it takes is a single moment:

    a word of buoyant gratitude,
    a glacier smooth smile.

    A bad day can remain a bad day—but
    the shroud of clotted clouds
    can been sundered by a blade of beaming luminance.

    It can be a bad day,
    but the eyes can still shine.

  • Moth

    Moth

    This is okay,
    lying here,
    being the night,
    being the breath
    and the rumbling wind
    outside the window,
    outside the body—
    I have no body.
    I am nobody,
    only fantasies fluttering
    and dusting
    milky blackness
    in a bedroom.
    I cannot be shattered,
    or have thoughts pruned;
    no voice or word can touch
    me, the stillness
    of mind and life.
    I am the womb
    of night,
    mother and babe,
    father and son,
    dreamer and dream
    with knees pressed to chest,
    and arms folded tight—
    Truly, I have no limbs
    only light
    wings
    that cut no air in their flight.

  • Wish Upon a Star

    Wish Upon a Star

    The stars in space are twinkling
    my name across pearl petaled sky.
    Something within eases, a child’s sigh
    escapes my lips and into the wide vision
    of a godly dream.

    Bronx streets are crackling with concrete
    grief. Feet draggers and dazed loiterers,
    brittle toilers, come apart regularly—

    One wonders if underneath
    such sky
    a gun or knife can take away
    such silverly light—

    Can a stranger’s deranged might
    truly cut down infinity
    smiling, perpetually mute?

    It soothes my heart, it does,
    how still
    things can seem to be.

    Although, I know
    heaven’s bodies
    and city’s bodies
    spin and cycle
    black depths and black speeds
    so fast that to the eyes they seem
    to be resting in peace.

    Can such illusionary serenity
    free the mind from debts,
    from the pains of making ends meet,
    from the strains of maintaining the lightbulb
    of the soul alight—

    can the reality of inner poverty
    cease to be?

    I wonder how many others
    look up at the night sky
    and wish.

    Does the bruised branded,
    gun-toting and scowling jacket,
    youth?

    How about the quiet nurse
    who over long seasons sheds
    her spring bright eyelashes
    over sanitation sinks—does she
    peer through the ceilings of hospital wings?

    Do we all feel childhood’s pang
    reaching
    from an infinity inside?

    Can we hear the muffled prayer,
    its delicate wish to come alive?

    Do our hearts somehow still retain
    a vision for haven,
    a yearning for home’s continuity,
    even long after we’ve been casted out
    onto the wet stoops
    and into the glare of unblinking streetlamps?